Michael Hüttler / H. E. Weidinger (ed.): Ottoman Empire & European Theatre. Vol II. - The Time of Joseph Haydn (1732-1809), Wien, 2011

32 contributions
approx. 650 pages

Preliminary Content
With support of the Austrian Foreign Ministry.
Impressum – Legal Disclosure
Gemeinsame Ausgabe
Hollitzer Wissenschaftsverlag, Wien
LIT-Verlag, Wien
© der Texte Don Juan Archiv Wien 2010
All rights reserved
ISBN

Ouverture   

To the Reader

By Michael Hüttler & H. E. Weidinger   

The Ambassador of The Turkish Republic in Austria.

Selim Yenel

The Austrian Ministry of Foreign Affairs / Cultural Section   

Emil Brix

UNESCO International Theatre Institute (ITI)

Helga Dostal

Austrian Cultural Forum   

Christian Brunmayr

   

Grand National Assembly of Turkey

Cemal Öztas

Topkapı Palace Museum Istanbul   

Ilber Ortaylı

Prologue

Recruitment of European Experts for Service in the Ottoman Empire (1732-1808)

By Mehmet Alaaddin Yalcinkaya (Trabzon)

 

Austria and the Ottoman Empire 1765-1815.   

By Bertrand Michael Buchmann (Vienna)

 

The Austro-Turkish War of 1788-1791 as Reflected in the Library of the Viennese Bibliophile Collector  Max von Portheim.
By Reinhard Buchberger (Vienna)

Act I    Exponents of Change

From Aristocratic to Bourgeois Fashion In the Second Half of the Eighteenth Century.
By Annemarie Bönsch (Vienna)

Opera and Diplomacy, Second Act: Ambassadors and Ministers in the Italian Opera.   
By Suna Suner (Vienna / Istanbul)   

Diplomacy and the Changing Dynamics of Entertainment in the Late Eigtheenth-Century Ottoman Empire.
By B. Babür Turna (Ankara)

Intermezzo 1 :  The Missed Area  

Karagöz and the History of Ottoman Shadow Theatre in the Balkans: Diffusion, Functions, and Assimilations.By Walter Puchner (Athens)

Act II      

European Printers in Istanbul during Haydn’s Era (1732-1809): Ibrahim Müteferrika and others.
By Orlin Sabev (Sofia)

 

Music, drama and Orientalism in print: Joseph von Kurzböck (1736-1792), his Predecessors and Contemporaries.
By Geoffrey Roper (London)

 

‘Turks’ and the ‘Turkish’ in the Viennese Repertoire at the Time of Joseph Haydn.
By Matthias J. Pernerstorfer (Vienna)

Intermezzo 2 :  Cross over  

Did Mozart drive a ‘Haydn’? Cartwrights, Carriages and the Postal-System in the Hungaro-Austrian Border Area.
By Käthe Springer (Vienna)

Act III    The Esterház Stage   

Haydn’s Humour Reflected in Lo Speziale (1768) and in L’incontro improvviso (1775).
By Nacla Cikigil (Ankara)   

 

Interpreting Haydn: Critical Frameworks for Enlightenment, Exoticism and L’incontro improvviso (1775).
By Matthew Head (London)

 

Turkish Travesty in European Opera: From Haydn’s Lo Speziale (1768) to Rossini’s Il Turco in Italia (1814).
By Larry Wolff (New York)

Intermezzo 3 : Viennese School   

Plays Written by Europeans in the Turkish Language at the Academy of Oriental Languages in Vienna during the Age of Haydn. (Author Unknown): Godefroi de Bouillon (1757), and Thomas Chabert: Hikayet-i Ibda-i Yeniceriyan Ba Bereket-i Pir-i Bektasiyan Seyh Haci Bektas Veli-i Musliman (1810).
By Çetin Sarikartal

Act IV    French Style Throughout Europe   

Zaire: Colonialism, Love and Enlightenment: Voltaire’s ‘Popular’ Theater of the 1730s and 1740s.
By Daniel Winkler (Vienna)

 

The Sultan of Denmark: Voltaire’s Zaïre and King Christian VII (r.1766-1808) – Madness and Enlightenment.
By Hans-Peter Kellner (Copenhagen)

 

Unexpected Encounters: C.W. Gluck’s Rencontre imprévue - a Sujet also Used by Haydn - Performed in Copenhagen, 1776 .
By Bent Holm (Copenhagen)

 

Tamerlan (1802): A French Opera after Voltaire by Peter von Winter.
By Isabelle Moindrot (Tours)

Intermezzo 4 : Islanders   

Briton-Ottomans and Ottomans in England during Haydn’s Era.
By Netice Yildiz (Famagusta)

Act V    The Sublime Porte Opens  

Eighteenth-Century Bosphorus as a Theatre of Life.
By Tülay Artan (Istanbul)

 

Westernisms and Ottoman Visual Culture in the Second Half of the Eighteenth Century: Wall Paintings
By Günsel Renda (Istanbul)

 

Selim III and Mahmud II in the Limelight. Imparting Knowledge on the Ottoman Empire from the Perspective of the ‘Viennese Turk’, Murad Efendi.
By Caroline Herfert (Vienna)

 

“Each villa on the Bosphorus looks a screen, New painted, or a pretty opera scene”: Mahmud II (1808) setting the Ottoman Stage for Italian Opera and Viennese Music.   
By Emre Aracı (London)

Epilogue

Muhammad Ali (Mehmet Ali Paşa), Vice King of Egypt (1805-1848) and European Music.
By Adam Mestyan (Budapest)

Registers

Biographies

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